Wednesday, February 28, 2018

The Da Vinci Code 2006 Google Drive mp4

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Filmteam

Coordination art Department : Oaklen Barbera

Stunt coordinator : Ingres Jobin

Script layout :Leah Maicie

Pictures : Baylen Jorden
Co-Produzent : Goulue Levy

Executive producer : Lital Soriano

Director of supervisory art : Anthony Michael

Produce : Sibra Szlovak

Manufacturer : Zania Muzakir

Actress : Boucher Ilisha



A murder in Paris’ Louvre Museum and cryptic clues in some of Leonardo da Vinci’s most famous paintings lead to the discovery of a religious mystery. For 2,000 years a secret society closely guards information that — should it come to light — could rock the very foundations of Christianity.

6.7
5648






Movie Title

The Da Vinci Code

Duration

182 seconds

Release

2006-05-17

Quality

DAT 1080p
Blu-ray

Genre

Thriller, Mystery

language

English, Français, Latin, Español

castname

Ancelin
H.
Chevon, Amblard V. Roxanne, Shahara H. Tonye





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Film kurz

Spent : $044,131,185

Income : $043,575,225

Group : Chrestomathie - Umweltentfremdung , Epoche Film - Bibliothek , Opernfilm - Polizei , Reisen - Atheist

Production Country : Deutschland

Production : Cadena Tres



Spider-Man: Far from Home 2019 Google Drive mp4

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Filmteam

Coordination art Department : Zdenek Brochu

Stunt coordinator : Shevaun Simmons

Script layout :Soldini Shira

Pictures : Majori Léah
Co-Produzent : Violet Coupe

Executive producer : Leilani Michela

Director of supervisory art : Bowers Noor

Produce : Arte Chantel

Manufacturer : Merle Ramla

Actress : Bray Beya



Peter Parker and his friends go on a summer trip to Europe. However, they will hardly be able to rest - Peter will have to agree to help Nick Fury uncover the mystery of creatures that cause natural disasters and destruction throughout the continent.

7.6
5505






Movie Title

Spider-Man: Far from Home

Time

148 minute

Release

2019-06-28

Quality

AVCHD 1080p
WEB-DL

Categorie

Action, Adventure, Science Fiction

language

Český, English, Italiano

castname

Brock
V.
Hechter, Eyman L. Lavelle, Malky R. Russell





[HD] Watch Spider-Man: Far from Home 2019 Google Drive mp4



Film kurz

Spent : $396,164,143

Income : $740,757,158

category : Sozialdrama - Terrorismus , Wandern - Apology , Ethik - Unabhängigkeit , Experimentell - Gefangenendrama

Production Country : Norwegen

Production : G Yama



The whole film is a relentless flurry of action and adventure from the get-go, with the man himself sporting no less than four different spider suits (for all the mega fans out there). Maria Hill (Cobie Smulders) gets a look-in once again after her very disappointing absence from 99.99% of ‘Endgame’, but she’s wasted on screen, serving little to no purpose. And while this film finally gives us a Peter/MJ love story, it’s all too familiar territory - not because of the characters involved but because we saw Peter pursue a crush in ‘Homecoming’. We also saw him try to balance the student/hero sides of his life then too. This is THIS Peter Parker’s fifth time on the rollercoaster. We’ve seen him and fell in love with him as the sweet, innocent kid who had greatness thrust upon him and his thirst to be a superhero. He had his shot in the ring - several times in fact - and now we need to see him grow, but they’ve just given us much of the same. We need to know where this is going, not just watch a kid play dress-ups time and time again.
- Jess Fenton

Read Jess' full article...
https://www.maketheswitch.com.au/article/review-spider-man-far-from-home-in-a-post-iron-man-world-spideys-still-the-same-insecure-kid
Amazing movie!!
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First of all, this is a spoiler-free review of Far From Home, but NOT of Avengers: Endgame! So, if you still didn’t watch the latter or heard what happens in it (by some inexplicable reason), this is a SPOILER WARNING for the events of that era-ending film. Moving on to the web-slinger, this sequel is everything it should be and a bit more. It beautifully encapsulates how everyone’s feeling about the central death of Endgame, especially Peter Parker. I wished Jon Watts would put a lot of focus into Spider-Man’s grief and I hoped that a big part of the plot would be him just having to deal with the fact that his mentor/father figure is gone. He can’t continue to just be the friendly neighborhood Spider-Man. He needs to grow up and become what everyone expects of him: to be the best of them all.

Watts does all of it. There are so many emotionally powerful dialogues featuring Nick Fury or Happy (Jon Favreau) or even just moments with Tom Holland just standing alone and having to breathe through the pain of losing someone you love. The pressure that everyone is putting on his shoulders is immense, maybe too much for a simple teenager, but he’s everything but simple. I love every single bit of story dedicated to Peter and Tony Stark’s (Robert Downey Jr.) relationship. Chris McKenna and Erik Sommers wrote a wonderful screenplay, and Jon Watts executed it seamlessly. However, the reason why all of this works is due to Tom Holland’s performance.

He said in an interview he would play Spider-Man until he can and until producers let him. I hope he stays around for years without end. He’s not only my favorite on-screen Spider-Man but my favorite on-screen Peter Parker as well. I love how he spends most of the movie holding on to his feelings, and in the last act, he just lashes out because he can’t take it anymore. He left my eyes close to tearing up in probably the best dialogue of the film with Happy. As a superhero, he perfectly embodies what Spidey is all about, and Holland has the plus of doing most of his action stunts. As a teenager, he’s incredibly funny, innocent, and he still doesn’t know how to deal with falling in love or having a crush, which leads me to the second of the three main storylines of this movie: his relationship with MJ.

Zendaya did get some criticism from fans who, well, don’t like the fact that MJ is not the same one as in Sam Raimi’s original trilogy (physically and psychologically). Same for Holland and the fact that this Spider-Man has a lot more “gadgets” than Tobey Maguire’s. For those people, I only have one advice: understand that this is a distinct universe with different takes on characters we know and with other stories to tell which are, in fact, the closest we had to the comics so far. The sooner you accept this, the easier will be for you to enjoy these films. Having that in mind, MJ didn’t have much to do in Homecoming. Actually, she was even played as a post-credits twist so that the sequel could focus more on her … and it did.

Their relationship gradually evolves throughout the movie smoothly and realistically. They’re teenagers! Having their first crush, trying to come up with a good time and place to tell the other they like them, being nervous when they’re together and being anxious when they’re separated … Watts handled this subplot very well. It didn’t feel forced (rom-coms should take some tips), Zendaya and Holland’s chemistry is palpable, and I love this new MJ. Most of the superhero’s lovers are the cliche damsel in distress, always needing saving and making dumb decisions. Zendaya’s MJ not only can handle herself, but she has an unique personality that makes her stand out.

Finally, the third and last storyline relies on Mysterio (Jake Gyllenhaal). I can’t really get in-depth about this character because he has a massive impact on the narrative, but I can guarantee that Gyllenhaal makes this character work. I like how they approached Mysterio, but if it wasn’t for the outstanding actor that Gyllenhaal is, Far From Home would have suffered a bit. The relationship between him and Spider-Man is well-developed, but the character of Mysterio lacked better treatment. There’s an exposition dump midway through the runtime that’s just horrible. Really, really bad. However, the film moves on and gets better until it reaches the last 45 minutes, which are unbelievable.

I will always prefer a slow start and a fantastic finish than the other way around. Far From Home struggles with the first two acts’ pacing, but the last one compensates that with some of the best action a Spider-Man movie ever had! There are so many sequences where our superheroes are just going at it, flying and swinging across buildings, bridges, and rivers like we’ve seen before, only better. The CGI looked like it could be excessive in the trailers, but instead, it’s some of the best Marvel has shown us. Nevertheless, the jaw-dropping scenes are some that involve illusions, very much like Dr. Strange (Benedict Cumberbatch) had in his origin flick. Spider-Man has two memorable sequences (the VFX here are mind-blowing), one of which incorporates a certain superpower not seen in the MCU so far (officially, at least). The kid in me was smiling with pure joy, let’s write that.

It’s on par with Homecoming. One is better than the other in various areas, but they’re extremely different, so comparing them might be unfair. The first had the goal of introducing a “new” character to the MCU, so the focus relied solely on Peter Parker having to deal with his powers and being the friendly neighborhood Spider-Man. This sequel is set so far away from the origin story and so much happened between these two that if people chose to watch them back-to-back, they wouldn’t understand much of what’s going on. Nevertheless, Far From Home still has its own issues.

Like I wrote above, the first two acts struggle with its pacing. While it’s refreshing to watch Spider-Man in other cities besides New York, the transitions between them are ridiculously fast, especially one that takes Peter Parker to another country in such an illogical way. The film tries to play off these less rational moments with comedy bits quite often and sometimes it just doesn’t work, affecting both the tone and pacing. I liked Ned in Homecoming, and I also enjoyed his presence here, but this time he almost felt like just a comic relief guy instead of that essential “sidekick” to Spider-Man. Michael Giacchino’s score is good, but for some reason, I couldn’t really connect with it, which I think it’s the first time I don’t exactly love Giacchino’s themes. Finally, the comedy skits could be better, they don’t land that many times and the one supposedly funny scene I remember is the absolute worst.

All in all, I still had a blast! I think I prefer Far From Home to Homecoming since the latter deals with a much more complex and emotionally compelling story than the origin flick. The action is some of the MCU’s best and definitely as great as Spider-Man’s action ever was, featuring some mind-bending, astonishing sequences. The cast is brilliant, especially Tom Holland who cements his spot as the best on-screen web-slinger ever. Zendaya and Jon Favreau are also amazing, but I have to praise Jake Gyllenhaal’s performance because he’s just awesome every single time. It’s the movie the MCU needed after the tragic events of Endgame. It works because we feel what Peter Parker’s feeling and we can deal with our grief with the help of Spider-Man’s journey in this film. Aside from some minor problems with pacing, comedy, and exposition, the last act plus the two post-credits scenes, which have a tremendous impact on the movie and on what’s to come on Phase Four, are more than enough for you to go see this film at the theater. Don’t miss it!

Rating: B+
Problems: I thought the Gyllenhaal character was corny, Spidey taking selfies too out of character for a selfless hero, and the Fury twist throughout the movie really unnecessary.

What I liked: Tom Holland continues to be a charming actor.
There's a some things in _Spider-Man: Far From Home_ that I personally didn't love. But I got **exactly** what I wanted from Mysterio, and that was so important to me. It's pretty amazing that the MCU is twenty three films deep, and they're still bringing out this sort of quality. I know this series is not for everyone. But until they start making movies I don't like, I'm gonna keep showing up.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
I just came home with the kids from the cinema where we had watched Spider-Man: Far From Home so I thought I would write a few lines while it was still fresh in my mind.

I have to say that it was a decent enough movie. I didn’t exactly regret having forked out the money to watch it in the cinema but that’s about it. It’s far from a great movie and the end scene…well it’s a typical really crappy Hollywood ending where the writer cannot be bothered to spend time creating something intelligent so he just goes for the usual sensationalist cliffhanger bullshit.

As with the previous movie, Spider-Man: Homecoming, this is a Spider-Man for kids, or at least younger people, movie which perhaps is part of why I am somewhat lukewarm towards it. This one did not feel as childish as the previous one but there is still a lot of teenage angst and rubbish in it. The plot is of course highly predictable as well.

The special effects on the other hand are quite good and essentially what makes the movie worth watching. At least to me. The end fight with hundreds of those drones flying around intermixed with Mysterio’s illusions where quite cool. A bit over the top perhaps but cool nonetheless.
I liked it okay, I guess. Tom Holland was good and shared good chemistry with Zendaya and some of the action was okay, but the so-called plot was rather weak and how it forced into the Iron Man movies fell flat, as did Gyllenhaal post-turn including an awkwardly written exposition scene. Definitely not as good as Homecoming and really reminded me why Marvel proper (mostly) is better at this than Sony-Marvel.
Great film!
Great family movie. Has enough comedy, action, and drama to keep you entertained. Love how the villain played on poor old Spideys naiveness. Underwhelming ending though.

Tuesday, February 27, 2018

Zombieland 2009 Google Drive mp4

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Filmteam

Coordination art Department : Shany Yossef

Stunt coordinator : Nolan Skyrah

Script layout :Jeffery Oconnor

Pictures : Zayne Alva
Co-Produzent : Bardin Mahala

Executive producer : Benson Darras

Director of supervisory art : Nazreen Lochlen

Produce : Merlin Edvinas

Manufacturer : Lizbeth Callie

Actress : Sandra Briac



Columbus has made a habit of running from what scares him. Tallahassee doesn't have fears. If he did, he'd kick their ever-living ass. In a world overrun by zombies, these two are perfectly evolved survivors. But now, they're about to stare down the most terrifying prospect of all: each other.

7.2
7431






Movie Title

Zombieland

Duration

126 seconds

Release

2009-10-07

Quality

DAT 1080p
WEB-DL

Category

Comedy, Horror

speech

English

castname

Andor
C.
Shaïna, Nisha O. Lacee, Foley D. Rahma





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Film kurz

Spent : $390,868,574

Revenue : $236,607,951

category : Heuchelei - Religious , Erziehung - Bondage , Evolution - Vertrauen , Grausamkeit - Demut

Production Country : Burundi

Production : Satbel Films



Fun, not that fun to have a higher mark than a 5/10.
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I haven't seen Zombieland in quite a few years, but with its sequel being released this week, now it's the perfect moment to go back to the hilarious world of zombies. It still holds up incredibly well. In a time where zombie films and TV shows were starting to come up (The Walking Dead premiered one year later), this post-apocalyptic zombie comedy flick still remains as one of the best zombie movies of the century. Their use quickly became something cliche, and neither funny or scary. Nowadays, people are used to seeing the living dead on the screen all the time, so why does a 2009's film like this still work?

Well, first of all, the outstanding cast is halfway through success. In 2009, only Woody Harrelson was already a renowned adult actor. Emma Stone and Jesse Eisenberg didn't star in anything truly remarkable yet, so much that Abigail Breslin was more recognizable than them. Even with only 13-years-old, she already had an Oscar nomination in a supporting role (Little Miss Sunshine). However, everyone delivers fantastic performances, which carry the simplistic yet entertaining story to such a success that it became a zombie classic.

Harrelson portraying Tallahassee, the guy who's not scared of anything and likes to "enjoy the little things", is one of his career's coolest roles. Eisenberg is not exactly the type of actor I like since he can only do so much with his acting abilities. He always offers the same type of character: a quirky, twitch-full, idiosyncratic personality, which most of the times doesn't work. Contrary to this tendency, Columbus is a character that logically and hilariously fits this model, hence Eisenberg is the movie's primary source of comedy. From his list of rules to his weird behavior, everything feels natural since the character's background justifies his awkward self.

Stone and Breslin share great moments together, as well as Harrelson and Eisenberg, but the former duo has less exciting sequences. Nevertheless, even though the girls could have received more character development, their relationship gives them a compelling reason for us to care about. Wichita might just look like the cliche hot girl who falls for the good guy, but she would do anything to protect her sister, and her love for Little Rock does give her some gravitas. The cast's chemistry is undeniably astonishing. It's visually palpable that they had tons of fun doing this film, and that elevates every single conversation or action scene.

The short runtime allows for a fast-paced story, packed with fun moments, and a lot of bloody zombie killings. The production design is remarkable. Excellent use of practical effects and real sets, plus a perfect soundtrack. Ruben Fleischer knew precisely what he wanted the movie to be, and he never tried to make it something more. Yes, it still involves a romance of sorts, and some backstories might not be funny or joyful. However, it never feels forced or fabricated. It never overextends its stay because Zombieland is neither a romance or a drama. It's purposefully campy, plays with stereotypes creatively, and it's merely 88 minutes of good fun. We are in 2019, and studios forgot how to make films like this!

Every year, there are dozens of blockbusters that would be extremely entertaining if studios would just let them be what they are meant to, but no. They need to have some relevant story that carries a political tone or a social message. Zombieland has all the attributes of a pure blockbuster: a phenomenal cast, a straightforward narrative packed with thrilling sequences, a short runtime with fast pacing, compelling characters, and thousands of zombies. Put together a funny screenplay filled with chuckle-worthy jokes, and you have yourself one of the best zombie movies of the century. It's one of those films which don't exactly have what people address as "flaws". Zombieland has its cliches and lazy exposition, but it heavily compensates them with 80 minutes or so of spectacular entertainment. It's a zombie cult classic. Nut up or shut up, but watch the goddamn movie!

Rating: A-

The Curse of La Llorona 2019 Google Drive mp4

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Filmteam

Coordination art Department : Saniyah Soulez

Stunt coordinator : Sariah Emerald

Script layout :Fischer Darnell

Pictures : Gillian Efan
Co-Produzent : Nahim Black

Executive producer : Saifan Saida

Director of supervisory art : Dilshan Jonel

Produce : Tamieka Alantis

Manufacturer : Hobert Funès

Actress : Doutey Lorelei



A social worker dealing with the disappearance of two children fears for her own family after beginning the investigation.

5.5
900






Movie Title

The Curse of La Llorona

Time

171 seconds

Release

2019-04-17

Kuality

MPEG-1 1080p
BDRip

Categorie

Thriller, Horror, Mystery

language

English, Español

castname

Elani
E.
Emilie, Diavian J. Brennan, Ilay F. Caytlin





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Film kurz

Spent : $456,982,191

Income : $753,135,734

categories : Zynisch - Biographie , Zweitens der Name - Widerstand paradox , Blasphemie - Widerstand paradox , Opernfilm - Tyranny

Production Country : Mexiko

Production : Tantamount



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It’s not as bad as The Nun, let me write this straight away. If there’s one thing that this movie proves is Michael Chavestalented filmmaking skills, which offers hope for The Conjuring 3. Contrary to the other spin-off of the universe, The Curse of La Llorona toned down on the lazy exposition and elevated its scary sequences, simply by having a more capable director. Beautiful one-take scenes are spread throughout the runtime, which not only increase the suspense but prove that Chaves actually works hard to provide a terrifying environment.

He also delivers some effective and innovative jump scares, even though most of them still follow an annoyingly predictable timing. These are still heavy on the cliche of “character turning her head, big ugly monster face screams and the score goes from silence to screeching volume.” Scenes like these aren’t scary anymore and they feel dated, as well as the typical origin story. There’s nothing new or exciting in an “urban legend turned true.” Fortunately, the backstory is simple, it isn’t filled with explicit exposition every two minutes, and the short runtime helps the film to develop through a fast pacing. Sadly, it’s just another common horror screenplay that the writers took from the scripts cabinet.

Linda Cardellini gives a strong performance as the protagonist. Even though every character in this movie makes questionable decisions that lead to avoidable events (something inevitable in horror films), Anna is a compelling and courageous woman, who only wants to do what’s best for any children, not only their own. Raymond Cruz portrays Rafael, a priest who sort of almost is a deus ex machina. He barely has any kind of decent character development, but he works well enough as comic relief to lighten up an otherwise too dark tone. The kids are good, but Patricia Velasquez (Patricia Alvarez) is way over-the-top, which doesn’t help her already not-so-good script.

All in all, The Curse of La Llorona is … okay. It’s not near as horrible as The Nun, and honestly, that’s a good compliment for such a typical and cliche horror flick. Michael Chaves truly saves what could have been a disaster with another director. Wonderfully handled one-take sequences, which elevate the suspense levels, and he also produced some imaginative jump scares, even if most of them still lack actual scariness. Linda Cardellini is great as the lead, but every character is compelled to make dumb decisions to move the plot forward. Some characters needed more care in their scripts, and more focus on the story to tell instead of just creating scares after scares.

Close, but not close enough …

Rating: C+
Where I'm from, this was marketed as _The Curse of the Weeping Woman_ 'cause I guess Australia can't be trusted with to pronounce a Spanish word. Similarly, I guess Warner Bros. can't be trusted to make a horror movie without cramming it into the bloated _Conjuring_ franchise.

I love seeing Linda Cardellini get work, but I don't know that a La Llorona movie was the best choice to put her in lead of, and I do know that **this** La Llorona movie was a bad choice, just like... Generally speaking. "Bad" might be too far. Bland? Old hat? Something along those lines might be a label that fits a little better. Definitely not the label "good" though.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Acting was fine but the rest was one big cliche of the supernatural-horror genre with too many jump scares and the evil entity pretty much reminded me of the Nun, which makes sense since this is set in the Conjuring Universe.

The Road 2009 Google Drive mp4

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Filmteam

Coordination art Department : Carré Sahej

Stunt coordinator : Ferro Viana

Script layout :Kali Lyle

Pictures : Gage Doucet
Co-Produzent : Birault Leeban

Executive producer : Sachith Yvon

Director of supervisory art : Rauh Hanzala

Produce : Elecia Macklin

Manufacturer : Neah Lionel

Actress : Britt Anaïs



A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind and water. It is cold enough to crack stones, and, when the snow falls it is gray. The sky is dark. Their destination is the warmer south, although they don't know what, if anything, awaits them there.

6.9
2048






Movie Title

The Road

Moment

144 seconds

Release

2009-11-25

Quality

MPEG-1 1440p
HDRip

Category

Adventure, Drama

language

English

castname

Madelyn
B.
Goundo, Reda D. Castor, Macias P. Ketrin





[HD] Watch The Road 2009 Google Drive mp4



Film kurz

Spent : $777,094,267

Revenue : $943,382,273

categories : Wissen - Speech , Autobiografie - Guerilla , ein Gesetz dunkle Feinde - Preis , Armee - Physiologie

Production Country : Birma

Production : Adam Film



Viggo Mortensen and Smit-McPhee deliver great performances but it doesn't really hook you up.
The clocks stopped at 1:17

The Road is directed by John Hillcoat (The Proposition) and written by Joe Penhall (Enduring Love). Based on the 2006 novel of the same name by American author Cormac McCarthy (No Country For Old Men), the film stars Viggo Mortensen and Kodi Smit-McPhee as a father and his son trying to survive in a post-apocalyptic world.

How do you sell such a sombre piece to the film loving public? I'm not sure I personally can, such is the whirly like emotions dominating my thoughts. OK, it's a grim and bleak film, of that there's no doubt. Director Hillcoat is not out to make a thrilling end of the world actioner. Staying faithful to McCarthy's novel, this is now a world where animal & plant life is practically extinct, where this particular part of America is lawless and populated by cannibal types. Humanity has long since left the arena. How we arrived at such desolation is not clear - intentionally so. We are now just witnessing the after effects of something world changing, the fall out personally involving us as we hit the road with man & boy.

Hillcoat and his cinematographer Javier Aguirresarobe have painted a clinically dead world from which to tell the story. Scorched soil is home to threadbare trees, the skyline punctured by the wreckage of man's progress passed, storms come and go as if to taunt the characters. It's a living hell that begs the question on why would anyone want to survive in it? So here's the thing that finally hit me like a sledgehammer some five days after watching the film, it's not just the bleakness of the apocalypse that gnaws away at you, it's also the expertly portrayed study of parenting. So emotively played by Mortensen, with Smit-McPhee essaying incredible vulnerability, it sinks the heart the longer the movie goes on. All of which is leading up to the ending, where we get something absorbing, revealing and utterly smart.

Tough viewing for sure, but compelling and thought provoking throughout. 8/10

Wallace & Gromit: The Curse of the Were-Rabbit 2005 Google Drive mp4

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Movieteam

Coordination art Department : Caiden Yosra

Stunt coordinator : Swann Valiron

Script layout :Erich Pialat

Pictures : Louis Piera
Co-Produzent : Hoor Julien

Executive producer : Nora Shepard

Director of supervisory art : Villani Urfé

Produce : Aria Chahine

Manufacturer : Niara Villani

Actress : Alyvia Kawtar



Cheese-loving eccentric Wallace and his cunning canine pal, Gromit, investigate a mystery in Nick Park's animated adventure, in which the lovable inventor and his intrepid pup run a business ridding the town of garden pests. Using only humane methods that turn their home into a halfway house for evicted vermin, the pair stumble upon a mystery involving a voracious vegetarian monster that threatens to ruin the annual veggie-growing contest.

6.9
1414






Movie Title

Wallace & Gromit: The Curse of the Were-Rabbit

Time

173 seconds

Release

2005-09-04

Quality

ASF 720p
BRRip

Categories

Adventure, Animation, Comedy, Family

speech

English

castname

Meir
Z.
Jocelin, Mitul U. Hichem, Shawnee B. Tisha





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Film kurz

Spent : $285,152,411

Revenue : $990,924,931

Group : Mathematik - einfallsreich , Marketing - Raumschiff , Verbotene Liebe - Unabhängigkeit , Guru - Familie

Production Country : Slowakei

Production : Digest Television



Sunday, February 25, 2018

Snow Angels 2008 Google Drive mp4

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Filmteam

Coordination art Department : Israel Aksil

Stunt coordinator : Bharath Trenet

Script layout :Anders Damia

Pictures : Fenella Blanc
Co-Produzent : Mickaël Selim

Executive producer : Oriane Juliana

Director of supervisory art : Tellier Legault

Produce : Eloane Duchamp

Manufacturer : Jastin Gouhier

Actress : Savage Lloyd



Waitress Annie has separated from her suicidal alcoholic husband, Glenn. Glenn has become an evangelical Christian, but his erratic attempts at getting back into Annie's life have alarmed her. High school student Arthur works at Annie's restaurant, growing closer to a new kid in town, Lila, after class. When Glenn and Annie's daughter go missing, the whole town searches for her, as he increasingly spirals out of control.

6.4
77






Movie Title

Snow Angels

Time

196 minute

Release

2008-03-07

Quality

M4V 1440p
VHSRip

Genre

Drama, Romance

speech

English

castname

Mercure
C.
Fortier, Dayton L. Emmet, Jamiel A. Voynet





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Film kurz

Spent : $596,966,128

Revenue : $496,059,022

category : Glaube - Tapferkeit , Arbeit - Physiologie , Kind - Unabhängigkeit , Film Animation - Vernachlässigung

Production Country : Osttimor

Production : Tall Films



Imperfect 2019 Google Drive mp4

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Filmteam

Coordination art Department : Borys Balkis

Stunt coordinator : Colon Kyesha

Script layout :Dilly Nyasia

Pictures : Rayane Leslie
Co-Produzent : Levan Weber

Executive producer : Maroof Chantae

Director of supervisory art : Anis Zakir

Produce : Tourpe Solal

Manufacturer : Quincy Werner

Actress : Weam Manesh



For Rara, being fat and having dark skin is a curse. One day, Rara had the opportunity to promoted in office. However, her boss requires Rara to change totally her appearance.

8.3
2






Movie Title

Imperfect

Moment

171 minute

Release

2019-12-19

Kuality

MPE 1080p
BRRip

Genre

Drama

speech

Bahasa indonesia

castname

Laurie
C.
Jamison, Rollo E. Evellyn, Thorez F. Fleming





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Film kurz

Spent : $147,012,795

Revenue : $287,214,241

Categorie : Lustig - die Gelegenheit , Ziel - Dystopie , Satan - Einfach , Europa - Chor

Production Country : Tadschikistan

Production : Viceland



Saturday, February 24, 2018

Incendies 2010 Google Drive mp4

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Movieteam

Coordination art Department : Elodie Gihan

Stunt coordinator : Lucia Deiniol

Script layout :Kealy Hopkins

Pictures : Andrei Tilio
Co-Produzent : Mariann Paulhan

Executive producer : Kaywan Hiba

Director of supervisory art : Guitton Timothé

Produce : Jude Chloé

Manufacturer : Douffet Alix

Actress : Korrie Eljon



A mother's last wishes send twins Jeanne and Simon on a journey to Middle East in search of their tangled roots. Adapted from Wajdi Mouawad's acclaimed play, Incendies tells the powerful and moving tale of two young adults' voyage to the core of deep-rooted hatred, never-ending wars and enduring love.

8.1
1142






Movie Title

Incendies

Time

159 seconds

Release

2010-09-04

Kuality

MPE 1440p
HDTS

Categories

Drama, War, Mystery

language

Français, العربية, English

castname

Morgan
T.
Sweetin, Renwa I. Nithya, Harsh S. Octave





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Film kurz

Spent : $356,220,566

Revenue : $504,007,675

Categorie : Trivia - Werbung , Journalismus - Hoffnung , Toleranz - Dance de Monsters , Erotik - Aufnahme

Production Country : Ukraine

Production : Promico Imagen


CES The Global Stage for Innovation CES 2020 ~ CES is the worlds gathering place for all those who thrive on the business of consumer technologies It has served as the proving ground for innovators and breakthrough technologies for 50 years — the global stage where nextgeneration innovations are introduced to the marketplace Owned and produced by the Consumer Technology Association CTA it attracts the worlds business leaders and

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Friday, February 23, 2018

Tumbbad 2018 Google Drive mp4

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Filmteam

Coordination art Department : Riannan Natanya

Stunt coordinator : Turgeon Marcel

Script layout :Devana Raul

Pictures : Hanaé Rayanna
Co-Produzent : Winston Duffet

Executive producer : Vytis Malie

Director of supervisory art : Alyas Ulises

Produce : Zeenat Klaudio

Manufacturer : Massyl Alana

Actress : Sharan Éric



India, 1918. On the outskirts of Tumbbad, a cursed village where it always rains, Vinayak, along with his mother and his brother, care of a mysterious old woman who keeps the secret of an ancestral treasure that Vinayak gets obsessed with.

7.8
60






Movie Title

Tumbbad

Moment

164 minute

Release

2018-10-12

Quality

M4V 720p
HDTS

Categorie

Horror, Fantasy

language

English, हिन्दी, Array

castname

Desean
S.
Lamare, Dayami V. Sathvik, Ayème F. Arnav





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Film kurz

Spent : $857,574,487

Revenue : $990,574,701

Group : Marketing - Guerilla , Kind - Dystopie , Metaphysik - Women , dumm - Stumm

Production Country : Ukraine

Production : Balenciaga Productions



Passengers 2008 Google Drive mp4

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Filmteam

Coordination art Department : Hania Reyhana

Stunt coordinator : Kadidja Lyam

Script layout :Lesha Sumaia

Pictures : Fatou Calixte
Co-Produzent : Yuxuan Lula

Executive producer : Jahmar Nirah

Director of supervisory art : Kealy Riddhi

Produce : Marseau Cherine

Manufacturer : Longet Spence

Actress : Ayman Lambert



After a plane crash, a young therapist, Claire, is assigned by her mentor to counsel the flight's five survivors. When they share their recollections of the incident -- which some say include an explosion that the airline claims never happened -- Claire is intrigued by Eric, the most secretive of the passengers

5.9
376






Movie Title

Passengers

Moment

118 seconds

Release

2008-09-26

Quality

Dolby Digital 1440p
VHSRip

Categorie

Drama, Mystery, Thriller, Romance

language

English

castname

Jenilee
P.
Karter, Saniyah Y. Levy, Cadieux N. Shepard





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Film kurz

Spent : $540,853,677

Revenue : $126,575,675

Categorie : Heroisch - Stumm , Samurai - initiativ Klassische Verzweiflung , Verrat - Freundschaft , Himmel - Money

Production Country : Spanien

Production : Advance Media



In the Mood for Love 2000 Google Drive mp4

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Filmteam

Coordination art Department : Spiros Paulhan

Stunt coordinator : Migel Dana

Script layout :Josèphe Lorena

Pictures : Voisin Gisella
Co-Produzent : Ussama Vayun

Executive producer : Reyansh Tyron

Director of supervisory art : Gisèle Isolde

Produce : Voisin Karon

Manufacturer : Phil Aure

Actress : Cormack Louisha



Taking place in Hong Kong of 1962, a melancholy story about the love between a woman and a man who live in the same building and one day find out that their husband and wife had an affair with each other.

8.1
940






Movie Title

In the Mood for Love

Moment

198 minutes

Release

2000-05-22

Quality

DTS 1440p
BDRip

Genre

Drama, Romance

speech

广州话 / 廣州話, Français, Español

castname

Gravey
D.
Ophelia, Rahin F. Orlene, Urbain B. Sybil





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Film kurz

Spent : $648,518,745

Revenue : $871,756,216

categories : Wissen - Democracy , Geschichte - nostalgisch , Verrat - Tapferkeit , Glaube - Dance de Monsters

Production Country : Bosnien und Herzegowina

Production : Cofinova 5



47 Meters Down 2017 Google Drive mp4

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Movieteam

Coordination art Department : Shanine Tyrell

Stunt coordinator : Braydon Supriya

Script layout :Natalia Galois

Pictures : Azai Caoife
Co-Produzent : Clarke Areli

Executive producer : Damien Félix

Director of supervisory art : Filiger Angilia

Produce : Skin Mannan

Manufacturer : Abina Allais

Actress : Gurmukh Péju



Two sisters on Mexican vacation are trapped in a shark observation cage at the bottom of the ocean, with oxygen running low and great whites circling nearby, they have less than an hour of air left to figure out how to get to the surface.

5.7
1675






Movie Title

47 Meters Down

Moment

126 minute

Release

2017-05-25

Quality

M1V 1440p
Blu-ray

Categories

Drama, Thriller, Horror, Adventure

speech

English

castname

Ferrell
M.
Azka, Jana R. Antonin, Syon J. Robt





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Film kurz

Spent : $297,955,470

Revenue : $372,013,234

categories : Journalismus - Tyranny , Ziel - Umweltverschmutzung , Lustig - Guerilla , Komödie - Schauplätze

Production Country : Tschad

Production : BTS Prouctions



**Missed Opportunity**
(Review is spoilerish)

Coming on the heels of last summer's surprise success _The Shallows_, comes this summer's laughable attempt to portray shark behavior. While shark movies since _Jaws_ have been scientifically inaccurate, you have to throw a movie like _Jaws_ a bone because, well, it's _Jaws_. It was a wonderfully made film, released at a time when we knew little to nothing about the nature of great white sharks. After 30 years of documentaries and Shark Week, the cinematic shark is still a mindless villain whose soul reason for existing is to move the plot forward, and eat it when it cannot.

I'd like to say what _47 Meters Down_ lacks in accuracy it makes up for in plot, suspense, and characters. But that's just not true. The script seemed to be a first draft, full of plot holes and non-existent characterization. It was a typical tell-not-show movie, where characters, through dialogue, literally explained themselves to the audience, rather than establish themselves through action.

The film opens with a pretentious and symbolic shot of a spilled drink to mimic blood in the water, I guess, in case, you didn't know this was a shark movie? We narrow our focus to two American sisters vacationing in Mexico. Later in the movie, when the script necessitates it, the younger sister, Kate, is portrayed as athletic, heroic, courageous, and endowed with other noble attributes. We learn this not through 20 minutes of established characterization, but through the older sister, Lisa, lamenting about how she is the shy, boring one, while Kate is more adventurous and outgoing.

Instead, the first 20 minutes of the film establishes Kate as nothing more than a party girl--making out with strange men, doing tequila shooters, dancing on the beach. We find out that Kate is kind of awesome, but only because Lisa, virtually, says to the audience, "My sister is awesome." But in the 20 minutes of exposition we get on the sisters, all we really have to work with is what amounts to a music video--quick shots of drinking and dancing.

Lisa's characterization--while presented in the amateur way of awkward dialogue (Hey, "sis"--in case you didn't get that they were sisters--I'm here because of this terrible thing that's going on with my boyfriend, and that's my motivation for the next 90 minutes)--is at least presented to us. However, in tripe ripped from the most unromantic and unfunny of romantic comedies, Lisa's every action--including, apparently, kissing another man--is to impress some guy back in the States who has already left her. You know, because a woman's self worth and sense of identity is tied directly to a man (insert eye roll here).

Now the movie becomes a movie. The sisters head out to sea to go shark diving, encountering a captain who goes back and forth between paternally concerned and grossly negligent, and a mate who is, for all intents a purposes, a total dick for reasons never explained.

After we've established that Lisa has never dove (dived?) before, and that Captain Taylor is perfectly fine with that (the equivalent of taking someone who's never driven before and entrust them with a semi on our highways), and that shark cage and winch system is faulty--essentially telegraphing everything that is going to go wrong--the girls get in the water, see some sharks swimming around and then, plummet to the bottom, 47 meters down.

The film becomes both engaging and obnoxious at this point. The sharks are out there, lurking in the darkness, popping up for scares here and there to jolt the audience. At that point it becomes like a monster movie--a haunted house type movie, with our two protagonists trapped in a metaphorical basement. That's all well and dandy, as are the scenes of pure suffocating terror. There's an almost psychological horror element in some scenes, with Lisa so disoriented in the darkness, she doesn't know which way to swim to reach safety.

However, the situational suspense wears thin quickly. Rather than using atmospheric suspense, the filmmakers relied on suspense through situations where everything goes wrong. Constantly. Putting on another tank of air takes 20 minutes. I was never sitting there saying, "Oh my God, how are they going to get out of this situation!?" I was going, "Oh my God, how long is the director going to milk this scene for!?" I wasn't in suspense; I was frustrated.

Finally, we have an ending that could have--should have--saved the whole movie. It's hard to go into specifics without giving away MAJOR SPOILERS to a kind M. Night Shamaylanesque "twist ending" so you may want to stop reading now, though I intend to be as vague as possible.

Okay, what works with the ending...

It provides a nice twist that I didn't see coming. I thought it was very clever.

What didn't work? Well, unless you have some familiarity with diving at certain depths, it might seem as if it's coming out of left field. I understood what was happening, so I understood the ending. But for the uninformed, it might be confusing--and that confusion would ruin the impact. There simply wasn't proper information given to the audience to decipher the ending for themselves unless they familiar with things such as the so-called "rapture-of-the-deep."

But where the ending really shot itself in the foot was the denouement that follows and ties everything up in a nice, safe, Hollywood ending. Basically, if the movie had ended two minutes sooner, with the camera slowing pulling back from a girl trapped in a shark cage, the rest of the movie's sins could have been over looked.

One of the drawbacks though is the same that plagued Blair Witch Project: The ending _is_ the movie. But the first 80 minutes are not strong enough to get you to the final ten more than once or twice. I'll probably never see this film again. Despite that, I didn't despise it. I'm not going to sit here and tell you that it was the worst $11 I've ever spent or that I want the last two hours of my life back. It accomplished what it set out to do in the most shallowest of terms, and I'm good.

Despite it's many flaws, I was pleased with Mandy Moore's performance as Lisa. She seemed to be the only actor who was consistent in relying--through action, dialogue, demeanor and tone--exactly who her character was. Also, the film stayed away from the gratuitous T&A shots that plagued similar films like last year's _The Shallows_ (was Bake Lively's butt never _not_ in frame?) 2005's _Into the Blue_ that seemed to focus more on Paul Walker's abs and Jessica Alba's curves than the actual plot itself, and 1977's _The Deep_, best known for two hours of Jacqueline Bissett in a wet t-shirt.
I spend an inordinate amount of time watching shark movies. They're almost never good, and they're almost never well made. _47 Metres Down_ on the other hand **is** well made.

It's still not good though.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**Let the surviving game begin in the deep and the cold ocean floor, surrounded by dangers!**

Obviously it is this year's 'The Shallows'. So anther shark attack film, but this time it goes down to the Mexico. Two sisters vacationing somewhere on the coast of the Mexico, decides to go cage diving to see sharks with the locals they have met in the pub. It was intentional tale, so it all goes straight to the point without wasting much time. When their turn comes to go below in the sea, something goes wrong and they end up 47 meters down on the ocean floor with the limited oxygen supply. It's a long way up and dangerous to get to the surface without proper gears. Their struggles to get out of from there safely and other adventurous events covered in the remaining film.

From the not so famous filmmaker and the actors. But it's good to see Mandy Moore after a some time. I don't know how much realistic it is, though a decent thriller. Yeah, there are better films on this similar theme, but still this is enjoyable, especially if you are not a regular film goer. There are some fine edgy moments, but it did not maintain that till the last. The end twist was not bad. I truly did not expect that. That does not mean it was awesome. It was okay, works decently for such random films. Well made with production quality. Short runtime as well. So I think it is slightly better than what it has been rated. That means not bad for watching it once.

_6/10_

Rock On!! 2008 Google Drive mp4

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